Thursday, October 29, 2015
Special Effects
Here's a cool example of special effects. Watch Mystique, from the X-Men movies, shape shifting.
#mutant #morphing
Sunday, October 11, 2015
Transition
TubeChop - Adele - Someone Like You (00:47)
A beautiful song and a great use of transitions, "Someone Like You" by Adele.
A beautiful song and a great use of transitions, "Someone Like You" by Adele.
The Whale Rider
I am grateful that I had the opportunity to watch this
thought provoking if not heart retching film. The audience is introduced to
Paikea, a twelve year old girl. We learn of her story, of her family, lineage
and tradition of her people, the Maori tribe native to New Zealand. I feel in the
United States many of us have lost sight of the beliefs and traditions of our
ancestors and the countries we come from. It was refreshing to see in this
movie that tradition is something that can still be valued and cherished.
Pai’s grandfather, Koro, is a man who has a live or die
attitude when it comes to implementing his culture and traditions. Koro
believed that the new chief of the Maori people would be one of his male
descendants. To his agony, neither of his sons stepped up to the plate and took
on the role of becoming chief. Instead they seemed to mock this ideation by
choosing to live lives opposite of the high expectations of their father. Koro
is devastated by their decision and puts new found hope in the offspring of his
first son Porourangi. Porourangi’s wife gives him a set of twins, a son and a
daughter. However, his wife and son
regrettably pass away, leaving Koro and Porourangi with only a female heir.
This female heir is Pai. She is raised by her grandparents
Koro and Nanny Flowers. As much as Koro loves his granddaughter she will never
be a grandson and therefore always a reminder how Koro failed to produce a new
leader. Pai is confused by Koro’s treatment of her. One minute he is loving and
kind, picking her up from school every day and letting her sit on his lap while
he rides his bike. Other times he is fierce and vicious, screaming at Pai and
excluding her from the chief lessons the young boys in the village are
receiving. Pai is confused and doesn’t understand. She is able to confide in
Nanny Flowers. Nanny Flowers is a strong independent woman to loves her husband
but tells Pai that his treatment of her is unjust. The women in this culture
are meant to obey and respect. Pai is a spitfire. She wants to learn, she wants
to play with the boys, and take charge of her own life. This is very different
from the expectation of Maori women.
Contrary to popular belief, I believe the movie should have
ended by Pai willingly ending her life on the back of the whale in the ocean. Yes,
it would have made the film sad with an unhappy ending. I hate to brake it to
people but life doesn’t always have a happy ending. I feel that ending the
movie in this way would have created a powerful ending that I think all film
makers aspire to have. I watched Pai continuously try to be the person that she
was born to be. However her best was never good enough. I can relate to her
never being able to live up to an expectation that someone else has for your
life. I saw Pai try and try and I know what it feels like to feel as though you
will always disappoint one of the people in your life you love the most. If
someone has never experienced this, they have no idea it feels to give your
everything and still not be enough. At the end of the film I realte to Pai
immensely. You can see in her eyes the pain and the agony of her heart. She has
no will to live. Her spirit has no will to endure the torment any longer. To
Pai death was not an end but a release.
A popular movie poster for this film shows Pai with a smile
on her face and her arms in the air. I think this is an interesting choice
seeming how at this moment in the film happiness is not at all an emotion I see
being experienced. Pai wanted to be a leader…she was a leader. And yet, it was
not her destiny. History, culture, and tradition can be wonderful and honorable
things but yet they can also be ugly and deadly. Peace be with you Paikea.
Monday, October 5, 2015
Symbolism-The Road Home
The Road Home is a simple yet beautiful love story. So
different from a Hollywood depiction of what love is. This film captivated its
audience and left them wanting more. In the beginning we meet Di. She is a
sweet, quiet, and is full of life young woman. At the arrival of the new
village school teacher, Mr. Luo, Di falls in love at first sight. With her
charming spirit she is determined to get her man. The story unfolds and you can’t
help but cheer her on. Their courtship plays out also like a game of cat and
mouse. Di is constantly chasing Luo wanting his attention. Soon after much
effort Di receives a token of Luo’s affection in return, a barrette. This
black, white, and red barrette is the most beautiful thing Di has ever seen but
in more ways than you would expect. You see this barrette isn’t just a barrette
it is a symbol. First, it is a symbol of Luo’s feeling towards her. This is the
first time he made a move and did something just for Di to win her approval and
love. He gives her this gift right before he has to leave to go back to the
city for a while. He didn’t want to leave without her having something to
remember him by. Whenever she saw this barrette she would think of him. It kept
him alive in her heart as she waited and waited for his return to the village. The
barrette also has symbolism based on its colors. The barrette is black, red,
and white. Although these colors may seem irreverent that couldn’t be further
from the truth. I believe these colors were chosen for a reason. Colors in
Chinese culture have different meanings. Black is known as the color of heaven,
red is happiness and joy, and white stands for brightness and purity. I think
these colors are a perfect representation of the love and Di and Lou shared.
This was an exquisite film bursting with symbolism and the hope and passion of love
that lasted a lifetime.
Camera Movement
This scene was taken from the movie The Hobbit the Desolation of Smaug, released in 2013. I love the camera movement. You never know where to look or when the dragon might pop out at you. Watching this scene definitely had me on the edge of my seat!
Subscribe to:
Posts (Atom)